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© Wendy Bardsley 2014
A vivid and evocative portrait of the lost Brontë brother, a lyrical account of the family, landscape and era that made this tormented man what he was, conspire to make a magical novel. Branwell talks, suffers, loves -
Fay Weldon
"It takes a stigma to beat a dogma", goes the old saw. Quite where myths fit into this hierarchy of intransigence is unclear, but there are many myths about the Brontës as any eavesdropper at the Brontë Parsonage Museum at Haworth can testify. Some progress has been made in recent years on weakening the 'Saintly Charlotte' stereotype, so carefully created by Mrs Gaskell (and Charlotte herself). Even the mad parson Patrick Brontë, who burnt his wife's dresses and fired his pistol at the Church tower, is being transmuted into a socially progressive thinker and caring father.
But Branwell carries the stigma of the feckless and wayward son who squandered his talent in self-
Now "Poor, brilliant, gay, moody, moping, wildly excitable, miserable Brontë" (Francis Grundy in 1879) has a champion at last. In Wendy Bardsley's new novel, the stereotype becomes a person. Here we have a thinking, feeling, dreaming and passionate lad, let loose on the world, who finds a woman to love. Rarely have I found a writer so immured in the characters of the Brontë family and their friends. And not just Branwell. Emily, Charlotte, Anne, Patrick, all have their distinctive and credible personalities. Authentic personalities -
Wendy's characterisation is superb. Her storytelling too. Unputdownable.
Bob Duckett
UK Editor, Brontë Studies; Editor Brother in the Shadow: Stories & Sketches by Branwell Brontë (1988);
Hon. Publications Secretary, Brontë Society.
Branwell Brontë’s Creation